To make sense of ongoing tech revolutions, a new generation of musicians is making music that metabolises electronic processes through analogue forms, argues Ryan Meehan ...

To accompany his report on Warm Winters Ltd in The Wire 503/504, Antonio Poscic explores a playlist of releases from the ...

Far beyond novelty or experiment, 2025 was the year that crossover projects rejected genre labels for endless sonic possibilities, writes Stewart Smith in The Wire 503/504 ...

In The Wire 503/504, Xenia Benivolski writes that as the speed of events and information flows increases, drone based slowness offers another mode of perception ...

Traditional instruments, folk cultures and mythic ideas of futurity offer slip roads exiting AI’s highway to a hollow future, argues Daryl Worthington in The Wire 503/504 ...

London’s extensive railway infrastructure is both a refuge for DIY nightlife and under threat from gentrification, writes ...

In The Wire 503/504, Lucy Thraves argues that luxury labels and conglomerates are keen to purchase some avant garde glory, but at a cost to experimental music and the ecosystem that supports it In ...

In his latest Secret History of Film Music column, Philip Brophy explores how the signifiers of Black musics in Swarm are fragmented to indicate its main character’s psychosis What does it mean to ...

The music industry's uptake of AI complicates the boundaries between listener, artist and music in troubling new ways, argues DeForrest Brown, Jr Our habit of referring to music as an aesthetic object ...

For several years, the supposed death of the band has been cropping up in state-of-the-nation style music discourse. The obvious culprit? Financial hurdles of the sort that even successful bands can ...

Free matinee concert of music by composer Riley whose work spans process works, minimalism, improvisation and music inspired by Indian classical music and other global cultures. San Francisco Public ...