Vittorio De Sica may be known to more Americans as an actor than as a director, but from 1947 through 1972 his directing efforts received more acclaim in the U.S. than any other Italian filmmaker save ...

A new video essay compares two 1952 films that resulted from the collaboration of two renowned filmmakers, Vittorio De Sica, a master of Italian neorealism, and David O. Selznick, a Hollywood producer ...

RADNOR — A film series — Cinema with a Social Conscience: Italian Neorealism — is coming to Villanova University. The series is scheduled to take place in the fall and into the spring. According to ...

Ferzan Ozpetek’s Facing Windows ( La Finestra di Fronte ), from a screenplay by Gianni Romoli and Mr. Ozpetek, won a fistful of richly deserved awards in Italy and elsewhere in Europe and was one of ...

For all the ways Italian neorealism brought a new socially conscious, unforgiving directness to cinema in the 1940s, Gianni Bozzacchi’s documentary “We Weren’t Just Bicycle Thieves. Neorealism” is as ...

That the Vesuvius-like eruption of Italian neo-realism altered the landscape of film history is widely agreed upon. It's less easy to come to a consensus on what “Italian neo-realism” actually was.

There are personalities that have completely changed the way cinema is conceived in Italy. In the case of Vittorio De Sica, he 'invented' cinema in Italy, becoming the father of neorealism, the genre ...

Combining the influences of Italian neorealism with Dickensian melodrama, Andrei Kravchuk's simultaneously tough-minded and sentimental "The Italian" is as bracing as it is moving. By The Associated ...

Melissa Cusano is a writer for Screen Rant. Recently graduated from Chapman University with a BA in Film Studies, Melissa loves writing about film and tv, especially horror movies. If not working, ...